Unfortunately, due to the pandemic, the buildings are currently locked up. This Kodachrome 25 preset achieves exactly all the attributes above the. If you’re in the same rut, you can also try Film Simulation Bracketing.
I’ll continue to refine this preset as I get some more shutter actuations with it. I’ll need some more time with Classic Neg. There is no right answer and I don’t know if I’m sure yet. has a vintage feel, and has been carefully developed to simulate the everyday color negative film that, for generations, was. Which one does a better job of representing this…concentration camp? (I know they were officially called “internment camps” to avoid association with places like Auschwitz, but by every definition, they were concentration camps). And to show you the differences between Classic Chrome, I also processed these photos in X RAW Studio using my Classic Chrome preset, which are here with the Classic Neg photos. Would the warmer, harsher Classic Neg be better for photographing this arid, hot place than the cooler Classic Chrome? Would it better project that mood? I used a documentary Classic Neg preset that I just created. Classic Chrome is quite subdued with hints of cyan, while Classic Neg is a bit bolder with warmer hints of magenta. They both have subdued colors and strong contrast, making them a favorite for street and documentary-style photography. Classic Neg and Classic Chrome are both modeled after “vintage” (if you want to think of it that way) film stocks though neither of them has a real-life Fuji film counterpart.
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